The flawlessly designed Helm comes with 32 voice polyphony, modulation with live visual feedback, dual oscillators with cross modulation and up to 15 oscillators each, unison and harmony mode, oscillator feedback and saturation for waveshaping, 12 waveforms, seven filter types with keytracking, two monophonic and one polyphonic LFO, step sequencer, polyphonic aftertouch, simple arpeggiator, and effects (formant filter, stutter, and delay). But I don’t, and maybe this is the quality of software he always creates. If I knew Matt Tytel, I might say he’s outdone himself here. You can get Surge as a 64-bit AU and VST3 for Mac, a 32-bit or 64-bit VST3 for Windows, and a 64-bit VST3 for Linux.ĭownload: Eventide Audio Helm By Matt Tytel That said, you should probably give it a go yourself and see what you come up with! Honestly, it’s the kind of synth I would love messing around with, because of the old-school video game vibes. Surge is beyond versatile, because you can create all kinds of sounds with it – from ethereal and atmospheric, to simple and old school. Sounding good isn’t the issue here, though.
If you’re still asking those questions, you probably aren’t impressed by specs, which is okay. So, what’s everyone raving about? Does this thing even sound any good? We could go on, but we think you’re starting to get the idea, and besides, you can read all about this on their website. In addition, you get three oscillators per scene, two filter units in eight configurations, 12 LFO units, and eight effect units.
It has a quick-category patch browser too. This open-source hybrid subtractive digital synthesizer comes with 2,116 patches (with two scenes) and 614 wavetables, which is quite stunning already. The award-winning Surge is incredibly popular, and some even call it the best free VST synth available.
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